{"id":865,"date":"2025-04-05T01:18:57","date_gmt":"2025-04-05T01:18:57","guid":{"rendered":"https:\/\/andthebestpicturegoesto.com\/staging\/5348\/?p=865"},"modified":"2025-04-17T00:11:43","modified_gmt":"2025-04-17T00:11:43","slug":"an-american-in-paris","status":"publish","type":"post","link":"https:\/\/andthebestpicturegoesto.com\/staging\/5348\/an-american-in-paris\/","title":{"rendered":"AN AMERICAN IN PARIS"},"content":{"rendered":"\t\t
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And the Best Picture goes to....
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1951
<\/span>Arthur Freed, Producer
<\/span>1 hour 54 minutes
<\/span>Estimated Budget $2,723,903
<\/span>Approved<\/span><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Other Nominated Films<\/strong><\/span> <\/span><\/h5>\n
Decision Before Dawn<\/span>
A Place in the Sun
<\/span>Quo Vadis
<\/span>A Streetcar Named Desire
<\/span><\/span> <\/span><\/h5>\n
Directed by Vincente Minnelli                                  Nominated, Best Director<\/span><\/h5>\n
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CAST<\/strong><\/span> <\/span><\/h5>\n
Gene Kelly<\/span>
Leslie Caron
<\/span>Oscar Levant
<\/span>Georges Gu\u00e9tary
<\/span>Nina Foch<\/span><\/span><\/h5>\n
 <\/h5>\n
ALSO NOMINATED FOR<\/strong><\/span> <\/span><\/h5>\n
Alan Jay Lerner                                                            Winner, Best Writing

<\/b>Alfred Gilks                                                                   <\/span>Winner, Best Cinematography, Color
<\/strong>John Alton

<\/span>Cedric Gibbons                                                            <\/span>Winner, Best Art Direction, Color
<\/b><\/span>E. Preston Ames
E<\/span>dwin B. Willis
<\/span>F. Keogh Gleason
<\/span>
<\/span>Orry-Kelly                                                                     <\/span>Winner, Best Costume Design, Color
<\/b><\/span>Walter Plunkett
<\/span>Irene Sharaff

<\/span>Johnny Green                                                              <\/span>Winner, Best Music Score
<\/b><\/span>Saul Chaplin

<\/span>Adrienne Fazan                                                           Nominated, Best Film Editing<\/span><\/span><\/h5>\n
 <\/strong><\/span><\/h5>\n
LOGLINE:<\/strong><\/span> <\/span><\/h5>\n
A struggling American painter in Post WWII Paris unknowingly falls for the young French girl who happens to be engaged to his good friend.<\/span><\/h5>\n
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REVIEW:<\/strong><\/span><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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This is an MGM Technicolor musical, so it\u2019s vibrant and visually stunning, even though it was filmed on a studio backlot rather than on location in the City of Lights. Gene Kelly was charming, and it was enjoyable to watch him interact with the children during his “Who Can Ask for Anything More” number. He is undoubtedly one of the best song and dance men to come out of Hollywood, and this film clearly demonstrates why, though it doesn\u2019t quite compare to his more memorable performance in “Singing in the Rain.” From what I understand, he also directed parts of this film while Vincente Minnelli was going through his divorce from Judy Garland during production.<\/p>

The plot of this film was lackluster, and I wasn\u2019t particularly impressed with Leslie Caron\u2019s appearance or performance, although her dancing was outstanding. This may have been her screen debut, but I simply didn\u2019t see her appeal as the female romantic lead; it was lost on me. However, Nina Foch was a pleasant surprise as the American heiress trying to become Gene Kelly\u2019s patroness. In fact, I felt that Gene Kelly shared more on-screen chemistry with her than with leading lady Caron. I found myself hoping he would come to his senses and fall for Foch\u2019s character, allowing Caron to marry his buddy instead.<\/p>

Naturally, a musical like this has a finale filled with plenty of razzle-dazzle. While the scene was well choreographed, it lasted about 17 minutes and could have easily been cut in half, as the ballet didn\u2019t seem very relevant to the story. Following this number, the ending felt a bit too simplistic, as Caron unexpectedly returns to the ball, and our couple strolls off into the Paris night hand in hand.<\/p>

Ultimately, “An American in Paris” is enjoyable to watch if you like musicals and appreciate dance sequences. However, don’t expect a deeply engaging plot. While it’s not a bad film, I found myself feeling a bit indifferent rather than inspired. If you’re looking for a light and colorful experience, you might find it enjoyable, but it may not leave a lasting impression.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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And the Best Picture goes to…. 1951Arthur Freed, Producer1 hour 54 minutesEstimated Budget $2,723,903Approved https:\/\/youtu.be\/Paccr7A7wZ8?t=18 The Other Nominated Films  Decision Before DawnA Place in the SunQuo VadisA Streetcar Named Desire  Directed by Vincente Minnelli                                  Nominated, Best Director   CAST  Gene KellyLeslie CaronOscar LevantGeorges Gu\u00e9taryNina Foch   ALSO NOMINATED FOR  Alan Jay Lerner                                                            Winner, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_canvas","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-865","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nAN AMERICAN IN PARIS - And the Best Picture Goes To<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/andthebestpicturegoesto.com\/staging\/5348\/an-american-in-paris\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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