{"id":1284,"date":"2025-04-05T23:27:22","date_gmt":"2025-04-05T23:27:22","guid":{"rendered":"https:\/\/andthebestpicturegoesto.com\/staging\/5348\/?p=1284"},"modified":"2025-04-17T00:15:44","modified_gmt":"2025-04-17T00:15:44","slug":"a-man-for-all-seasons","status":"publish","type":"post","link":"https:\/\/andthebestpicturegoesto.com\/staging\/5348\/a-man-for-all-seasons\/","title":{"rendered":"A MAN FOR ALL SEASONS"},"content":{"rendered":"\t\t
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And the Best Picture goes to....
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1966
<\/span>Fred Zinnemann, Producer
<\/span>2 Hours
<\/span>Estimated Budget $2,000,000
<\/span>Rated G<\/span><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Other Nominated Films<\/strong><\/span><\/h5>\n
Alfie
<\/span>The Russians Are Coming, the Russians Are Coming
<\/span>The Sand Pebbles
<\/span>Who\u2019s Afraid of Virgina Woolf?

<\/span><\/h5>\n
Directed by Fred Zinnemann                                    <\/span>Winner, Best Director<\/strong><\/h5>\n
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CAST<\/strong><\/span><\/h5>\n
Paul Scofield                                                               <\/span>Winner, Best Actor
<\/b><\/span>Wendy Hiller                                                                Nominated, Best Supporting Actress
<\/span>Robert Shaw                                                               Nominated, Best Supporting Actor
<\/span>Leo McKarn<\/span><\/h5>\n
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Also Nominated for<\/strong><\/span><\/h5>\n
Robert Bolt                                                  <\/span>                Winner, Best Writing, Adapted Screenplay

<\/b><\/span>Ted Moore                                                                   <\/span>Winner, Best Cinematography, Color

<\/b><\/span>Elizabeth Haffenden                                                    <\/span>Winner, Best Costume Design, Color
<\/b><\/span>Joan Bridge<\/span><\/h5>\n
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LOGLINE:<\/strong><\/span><\/h5>\n
The tribulations of Sir Thomas More when he refuses to support Henry VIII\u2019s break from the Roman Catholic Church so he can obtain a divorce in order to marry Anne Boleyn.<\/span><\/h5>\n
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REVIEW:<\/strong><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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I find it surprising that this film beat out \u201cWho\u2019s Afraid of Virgina Woolf?\u201d as Best Picture Winner.\u00a0 \u201cA Man for All Seasons” is a historical drama that delves into the tribulations of Sir Thomas More as he refuses to support Henry VIII’s break from the Roman Catholic Church. The film opens with More becoming Henry VIII’s Lord Chancellor, which guarantees wealth and privilege for his family. However, when he is eventually approached to back the King’s plan to go up against the Catholic Church to secure his divorce from Catherine of Aragon, he is faced with a crisis of conscience.\u00a0 Choosing to side against Henry, he loses it all and faces the consequences with his family.\u00a0 Coincidently it’s when More is arrested that this picture goes downhill and begins to drag for the remainder of its runtime.<\/p>

It\u2019s was my understanding that Richard Burton turned down the role of Thomas More while Charleton Heston lobbied for it\u2014eventually it went to Paul Scofield who played the part in the New York and London stage productions.\u00a0 Yet admittingly I found his performance lacking any depth and his character was totally emotionless through-out the entire film.\u00a0 Perhaps he was supposed to have a stiff upper-lip, which is anyone\u2019s guess, but it was totally lost on me, and I found it surprising that Scofield actually beat Burton in the Best Actor category.<\/p>

The only performance that really stood out to me was by Robert Shaw as Henry VIII.\u00a0 He was handsome, loud and boisterous, and not exactly the preconceived image that we have of a portly king chowing down on a turkey leg.\u00a0 In the end I would have liked to have seen more scenes between himself and Scofield\u2019s Thomas More.<\/p>

With its costumes and settings, \u201cA Man for All Seasons\u201d is a fair British period piece, which was popular at the time, but it falls short compared to other historical dramas, such as \u201cThe Lion in Winter.\u201d\u00a0 \u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tBack to Home<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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And the Best Picture goes to…. 1966Fred Zinnemann, Producer2 HoursEstimated Budget $2,000,000Rated G https:\/\/youtu.be\/iuClgg63Mcg?t=5 The Other Nominated Films AlfieThe Russians Are Coming, the Russians Are ComingThe Sand PebblesWho\u2019s Afraid of Virgina Woolf? Directed by Fred Zinnemann                                    Winner, Best Director   CAST Paul Scofield                        […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_canvas","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1284","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nA MAN FOR ALL SEASONS - And the Best Picture Goes To<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/andthebestpicturegoesto.com\/staging\/5348\/a-man-for-all-seasons\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A MAN FOR ALL SEASONS - And the Best Picture Goes To\" \/>\n<meta property=\"og:description\" content=\"And the Best Picture goes to…. 1966Fred Zinnemann, Producer2 HoursEstimated Budget $2,000,000Rated G https:\/\/youtu.be\/iuClgg63Mcg?t=5 The Other Nominated Films AlfieThe Russians Are Coming, the Russians Are ComingThe Sand PebblesWho\u2019s Afraid of Virgina Woolf? 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