{"id":1052,"date":"2025-04-05T01:50:04","date_gmt":"2025-04-05T01:50:04","guid":{"rendered":"https:\/\/andthebestpicturegoesto.com\/staging\/5348\/?p=1052"},"modified":"2025-04-17T00:13:24","modified_gmt":"2025-04-17T00:13:24","slug":"gigi","status":"publish","type":"post","link":"https:\/\/andthebestpicturegoesto.com\/staging\/5348\/gigi\/","title":{"rendered":"GIGI"},"content":{"rendered":"\t\t
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And the Best Picture goes to...<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1958
<\/span>Arthur Freed, Producer
<\/span>1 hour 56 minutes
<\/span>Estimated Budget $3,319,355
<\/span>Rated G<\/span><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Other Nominated Films <\/span><\/span><\/h5>\n
Auntie Mame<\/span>
Cat on a Hot Tin Roof
<\/span>The Defiant Ones
<\/span>Separate Tables
<\/span> <\/span><\/span><\/h5>\n
Directed by Vincente Minnelli                                  Winner, Best Director
                    Charles Walters<\/span><\/span><\/h5>\n
 <\/h5>\n
CAST<\/span><\/h5>\n
Leslie Caron
<\/span>Louis Jourdan
<\/span>Maurice Chevalier
<\/span>Hermoine Gingold
<\/span>Isabel Jeans<\/span><\/span><\/h5>\n
 <\/h5>\n
Also Nominated for <\/span><\/span><\/h5>\n
Alan Jay Lerner                                                          Winner, Best Writing, Adapted Screenplay<\/span><\/h5>\n

<\/p>\n

Joseph Ruttenberg                                                     <\/span>Winner, Best Cinematography, Color<\/span><\/span><\/h5>\n

<\/p>\n

William A. Horning                                                      Winner, Best Art Direction
<\/span>E. Preston Ames
<\/span>Henry Grace
<\/span>F. Keogh Gleason<\/span><\/h5>\n

<\/p>\n

Cecil Beaton                                                                 <\/span>Winner, Best Costume Design<\/span><\/span><\/h5>\n

<\/p>\n

Adrienne Fazan                                                            <\/span>Winner, Best Film Editing<\/span><\/span><\/h5>\n

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Frederick Loewe                                                           <\/span>Winner, Best Song (for the song \u201cGigi\u201d)
<\/span>Alan Jay Lerner<\/span><\/span><\/h5>\n

<\/p>\n

Andre Previn                                                                 <\/span>Winner, Best Music Score


<\/p>\n

LOGLINE: <\/span><\/p><\/span><\/h5>\n

In 1900, a bored Parisian playboy strikes up a friendship with a young courtesan-in-training, that eventually blossoms into love.<\/span><\/h5>\n
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REVIEW:<\/span><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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“Gigi,” attempts to charm audiences with its beautiful Parisian backdrop and reteaming the director, producer, and lead actress that previously worked together on “An American in Paris.” While the film certainly leans more heavily on song than dance, which is curious since lead actress Leslie Caron is an accomplished dancer, it doesn’t come off as particularly engaging.<\/p>

Caron plays Gigi, a young girl being groomed to become a mistress to a wealthy man\u2014a practice that was socially acceptable at the time, as detailed in Colette\u2019s original novel. It’s hard to ignore that this setup might feel a bit troubling by today\u2019s standards, even if it was more the norm back then.<\/p>

Personally, I found Caron\u2019s performance more engaging in this film than in “An American in Paris.” She embodies the role with beauty and grace, especially as her character transitions from adolescence to adulthood. However, it felt rather implausible for a 27-year-old to convincingly portray a teenager, which sometimes took me out of the moment.<\/p>

Louis Jourdan certainly fits the bill as the charming yet disenchanted bachelor whose life propels much of the plot. While he does well in his role, I found the performances of the supporting cast, particularly the Grandmother and Aunt Alicia, to be the true highlights. Their comedic timing and unique perspectives on Gigi’s “education”\u2014everything from cigar selection to fashion advice\u2014brought some much-needed lightness to the film. It\u2019s a shame that neither Isabel Jeans nor Hermione Gingold received Oscar nominations for their delightful performances as I felt they stole quite a few scenes.<\/p>

At the end of the day, while “Gigi” has its moments and certainly showcases beautiful visuals, I struggled to understand how it managed to triumph over “Auntie Mame” during awards season. The latter not only had a better story but also the inimitable Rosalind Russell, who delivered an exceptional performance. Overall, \u201cGigi\u201d is a decent musical but in my opinion it falls short of being a classic.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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And the Best Picture goes to… 1958Arthur Freed, Producer1 hour 56 minutesEstimated Budget $3,319,355Rated G https:\/\/youtu.be\/9UV5PzHMOtE?t=5 The Other Nominated Films  Auntie MameCat on a Hot Tin RoofThe Defiant OnesSeparate Tables  Directed by Vincente Minnelli                                  Winner, Best Director                    Charles Walters   CAST Leslie CaronLouis JourdanMaurice ChevalierHermoine […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_canvas","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1052","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nGIGI - And 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