And the Best Picture goes to....

 
1945
Paramount
Charles Brackett, Producer
1 hour 41 minutes
Estimated Budget $1,250,000
Approved
The Other Nominated Films 
Anchors Aweigh
The Bells of St. Mary’s
Mildred Pierce
Spellbound

Directed by Billy Wilder                                              Winner, Best Director

CAST
Ray Milland                                                                Winner, Best Actor
Jane Wyman
Phillip Terry
Howard Da Silva
 
Also Nominated for 
Charles Brackett                                                       Winner, Best Adapted Screenplay
Billy Wilder

John F. Seitz                                                             Nominated, Best Cinematography, Black-and-White

Doane Harrison                                                        Nominated, Best Film Editing

Miklos Rozsa                                                            Nominated, Best Original Score
 
LOGLINE: 
Despite the love and support of his brother and his girlfriend, a hopeless alcoholic goes on a four-day bender that may be his last.
 
REVIEW:

“The Lost Weekend,” directed by Billy Wilder, stands as a groundbreaking film that confronts the realities of alcoholism, making it one of the first to tackle such a serious subject matter. The film is anchored by a gripping screenplay that captivates viewers from start to finish, skillfully drawing them into the tumultuous life of its main character.

Ray Milland delivers a standout performance as Don Birnam, a would-be writer who initially comes across as arrogant. He charms those around him with his matinee idol looks and attempts to convince his brother and girlfriend that he is on the road to sobriety. However, as the story unfolds, we witness his descent into a world of dishonesty and desperation, revealing the darker side of his character. Milland’s commitment to authenticity is evident when he prepared for his role by checking himself into Bellevue Hospital, in order to understand the realities of addiction. This preparation shines through during his traumatic time in a detox ward, making the portrayal all the more powerful.

Jane Wyman delivers a sympathetic performance as Helen, who is deeply in love with Don and wants to help him, even at the risk of being dragged down by his alcoholism. Her character symbolizes the often-painful struggle of those who care for an alcoholic, clinging to the hope that love can effect change. However, as Helen soon learns the hard way that it’s difficult to change an alcoholic.  Yet her strength emerges when she confronts Don during a suicide attempt, helping him recognize the error of his ways.

Despite its many strengths, “The Lost Weekend” does stumble slightly with its somewhat contrived happy Hollywood ending. Having a struggle with alcoholism for over a decade, one might wonder if someone like Don could really walk away from liquor so easily and follow through with writing about his experience.  Would he be able to maintain his sobriety for more than just a week, or would his journey ultimately bring us full circle to the beginning of the film?

Overall, while it may not provide the perfect resolution, “The Lost Weekend” remains a moving exploration of addiction and the human condition, highlighting both the depths of despair and the hope for redemption. It’s a must-watch for anyone interested in the complexities of addiction and its impact on individuals and relationships.

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