And the Best Picture goes to....

Based upon the non-fiction book by Jessica Bruder, “Nomadland” offers a heartfelt journey into the world of modern nomadism through the story of Fern, portrayed by Frances McDormand. After facing the challenges of losing her job and home due to the economic downturn in a small Nevada town, Fern sets off on an inspiring adventure across the American West in her van, embracing the life of a contemporary nomad. The film beautifully intertwines her personal experiences with larger themes of economic hardship, emotional loss, and the fierce spirit of resilience.

Frances McDormand won her third Best Actress Oscar for a performance that is tender as well as powerful.  She portrays an optimistic yet weary character facing an uncertain future as she travels from state to state and job to job.  It was my understanding that McDormand actually experienced living in a van for four to five months in order to prepare for the role.

Director Chloe Zhao’s documentary-style approach is refreshing, blending fictional storytelling with the authentic voices of real-life nomads, which adds a sense of sincerity to the narrative. The bonds Fern forms with fellow travelers, many played by non-professional actors, showcase the warmth of community and shared experiences amidst the ups and downs of transient living.

The cinematography is quite breathtaking with stunning landscapes of the American West.  And though there is a natural beauty, there is also a sense of desolation that appears to mirror the emotional loneliness of Fern and her fellow nomads.

Although “Nomadland” is not a traditional narrative film, it provides breathtaking visuals and a heartfelt performance while celebrating freedom and the resilience of the human spirit.  Though I got the premise, I didn’t get any sense of a defined story—more like a magazine article that serves as social commentary for those living on the fringes of society.