And the Best Picture goes to....

Directed by Barry Jenkins, “Moonlight” is a moving tale of identity, race, and sexuality that unfolds over three powerful acts, that trace the life of a young Black man named Chiron. This coming-of-age film tackles significant themes in a manner that makes it both deeply personal as well as relatable.

The film is set against the backdrop of a tough Miami neighborhood, where Chiron navigates a troubled childhood marked by bullying, isolation, and a deeply troubled home life. Naomie Harris delivers a heartbreaking performance as his mother, a crack addict whose struggles with addiction have a profound impact upon her son.

At the beginning of Chiron’s journey is Juan, played by Mahershala Ali. Juan is a tough drug dealer, yet his character reveals a softer side when he shows how much he genuinely cares for the boy. His mentorship provides a rare glimpse of stability in Chiron’s tumultuous life. However, in act two, after establishing a bond with Juan, the viewer is left to wonder about his fate—did he end up in prison? Did he simply move on? Or did he die?

Throughout his life, Janelle Monáe’s character serves as a constant presence for Chiron, symbolizing the rare moments of support and attachment amidst his struggles. Her character embodies resilience, hope, and even a sense of stability for the youth.  (She is initially introduced as Juan’s girlfriend, and the pair appear to act as surrogate parents for the boy.)

Yet the central focus of the plot is the relationship between Chiron and Kevin. Their friendship evolves from childhood through adolescence into a secret first love, but it’s an act of peer pressure that ultimately drives them apart. The film reaches an emotional climax when they reconnect as adults, in the third act, which is a moment that is both tender and heart-wrenching.

One of the most engaging aspects of the film is the way it portrays the passage of time and the effect of trauma on Chiron’s personal development.  This is a boy who grows up bullied and alone, and eventually, fate finds him living his life as a drug dealer in Atlanta.  Truthfully, the adult Chiron can be a bit intimidating, with his gold teeth and streetwise demeanor—but deep down, he’s still that vulnerable boy looking for acceptance and love.

Visually, “Moonlight” opts for a low-budget aesthetic by Hollywood standards, yet it is rich in imagery and emotion. The cinematography does a good job in capturing the harshness of Miami, which enhances the impact of the story.  Additionally, the film’s score also complements its overall tone.

However, one aspect that felt particularly off-key was when young Chiron chose to spend the night with Juan, a man he had just met. While on one hand, it illustrated the vulnerability of his character, it was somewhat unplausible.  Whatever ever happened to not talking to strangers?

In a quiet yet powerful way this is a very engaging watch, and ultimately, I give “Moonlight” high marks for its evocative storytelling, remarkable performances, and stunning visuals. Straight forward, this is a rather somber film, as it depicts a person without many advantages in life as they search for identity and connection.