And the Best Picture goes to....



1949
Columbia
1 hour 50 minutes
Estimated Budget $2,000,000
Approved
The Other Nominated Films 
Battleground
The Heiress
A Letter to Three Wives
Twelve O’clock High
 
Directed by Robert Rossen                                       Nominated, Best Director
 
CAST 
Broderick Crawford                                                    Winner, Best Actor
John Ireland                                                               Nominated, Best Supporting Actor
Mercedes McCambridge                                           Winner, Best Supporting Actress
Anne Seymour
Joanne Dru
John Derek
 
Also Nominated for 
Robert Rossen                                                           Nominated, Best Writing, Adapted Screenplay

Robert Parrish                                                            Nominated, Best Film Editing
Al Clark
 
LOGLINE: 
The rise and fall of an idealistic, yet obscure politician culminating in his assassination.
 
REVIEW:

The film is based loosely on the life of Louisiana Governor Huey Long and I initially thought I would enjoy it more than I did. While it features an interesting plot and story, the pacing felt uneven, resembling a see-saw. It started out strongly with powerful dialogue and impassioned speeches but then experienced a lull in the second act. Although the film picked up again, it encountered another slow period before reaching its conclusion.

What stood out to me were the strong performances from three actors in particular. The lead, Broderick Crawford, delivered a gruff yet eloquent portrayal. His character captivates the citizens of his state with passionate speeches to win their votes, which also endears him to the viewer as an underdog. As the film progresses, we witness his evolution from idealism to a willingness to use blackmail, graft, and intimidation to ascend to the governorship.  Mercedes McCambridge, in her screen debut, steals many scenes as a cynical and hard-edged political aide. She not only covers up her candidate’s shadowy methods and dishonesty but also develops feelings for him.

While both Crawford and McCambridge won Oscars for their performances, Anne Seymour, who portrayed Willy Stark’s long-suffering wife, Lucy, did not receive a nomination, even though I believe hers was the standout performance. Unlike Lady Macbeth, who shares her husband’s thirst for power, Lucy supports Willy simply out of love. At the beginning of the film, she is infatuated with her idealistic husband, helping him with his law studies and campaigning alongside him. Despite enduring his various indiscretions and caring for an invalid son, she remains steadfast by his side whenever needed.

Overall, the film features wonderful actors, but the slow pace of the plot detracts from what could have been a timeless tale of corrupt politics.

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