And the Best Picture goes to....

“Anora” is a film that blends drama with dark comedy.  While it features an engaging story, it does feel overly lengthy at times, and there are areas that could be improved. The plot begins with an intriguing premise, depicting the life of Ani, a clever and calculating hustler maneuvering through a complicated world. Though her story draws you in, you can get easily lost with the inconsistent pacing—what should have been a tight 90-minute film often feels bloated and much longer than it truly is.  For example, at one point I thought I was an hour into the film when, in reality, it was only forty minutes.

The characters are well-developed, and the casting is commendable. I appreciate that everyone looks relatable and could easily be found at a local mall. Mikey Madison plays the title character, Anora, also known as Ani. She’s a savvy, tough-as-nails young woman working at a strip club, and she knows exactly what to say. Then she meets Ivan, the son of a wealthy Russian oligarch, portrayed as an immature and impulsive young man by Mark Eydelshteyn. The film hints at a Cinderella narrative, leading viewers to believe that a sex worker has met her Prince Charming, reminiscent of “Pretty Woman.” That’s where the similarity ends, and instead, it veers into more uncharted territory, showcasing explicit sex, drug use, and provocative language that may not sit well with all audiences.

As the film progresses, particularly in the second act, the focus shifts to the search for the missing Ivan. While this section is infused with humor—where Ani fights like a feral cat during a home invasion—it stretches on too long. Certain scenes, such as those involving a tow truck incident or various restaurant encounters, could have been trimmed to maintain momentum and shorten the running time.

The third act presents a notable shift in Ani’s character. She begins to lose the spark that initially drew viewers to her, seemingly succumbing to the demands of Ivan’s family without much resistance. More scenes, particularly those between her and Igor, could have been cut or rewritten for improved pacing.

Despite its flaws, “Anora” is undeniably engaging, with a story that keeps you guessing. The film is a wild ride filled with gripping visuals, heavy themes, and a frenetic pace. However, a tighter edit could have enhanced its impact significantly. While it may not fulfill the fairy tale expectations some might have, it offers a raw glimpse into the struggles of its characters. Those who accept its flaws will find that “Anora” offers a distinctive cinematic experience.