And the Best Picture goes to....


2022
Daniel Kwan
Daniel Scheinert
Jonathan Wang, Producers
2 hours 19 minutes
Estimated Budget $14,300,000
Rated R
The Other Nominated Films

All Quiet on the Western Front
Avatar: The Way of Water
The Banshees of Inisherin
Elvis
The Fabelmans
Tar
Top Gun: Maverick
Triangle of Sadness
Women Talking

Directed by Daniel Kwan                                              Winner, Best Director
                   Daniel Scheinert                                        Winner, Best Director
 
CAST
Michelle Yeoh                                                                  Winner, Best Actress
Stephanie Hsu                                                                Nominated, Best Supporting Actress
Ke Huy Quan                                                                  Winner, Best Supporting Actor
Jamie Lee Curtis                                                             Winner, Best Supporting Actress
James Hong
 
Also Nominated for
Daniel Kwan                                                                   Winner, Best Original Screenplay
Daniel Scheinert

Paul Rogers                                                                    Winner, Best Editing

Son Lux                                                                           Nominated, Best Original Score

Shirley Kurata                                                                 Nominated, Best Costume Design
 
LOGLINE:
A middle-aged, Asian woman encounters other versions of herself from parallel universes.
 
REVIEW:

“Everything Everywhere All at Once” presents a unique fusion of genres, combining elements of sci-fi, comedy, drama, and martial arts. However, the film’s execution leaves very much to be desired. 

The story revolves around a harried, middle-aged Asian woman that is forced to navigate bizarre parallel universes. This exploration of different versions of oneself, based on the choices made in life, could have been fascinating. However, the film feels more like a mish-mash of ideas than a coherent story. The daughter is a lesbian; in a parallel universe, Michelle Yeoh and Jamie Lee Curtis are also lesbians with hot dogs for fingers; there are butt plugs and dildos and even an S&M dungeon; and what was the deal with the bagel? After two hours, I hoped the film would redeem itself and somehow make sense with an ‘A-Ha’ moment. It didn’t. I feel this was a weak attempt to trick the audience into thinking it was a highbrow concept, when in reality, it was a complicated mess of events that just didn’t stick. There was nothing remarkable about the performances, despite an extremely talented cast. Jamie Lee Curtis’s portrayal as an IRS agent seemed more suited for something out of the Terminator franchise.    

Overall, I found this to be one of the least entertaining films that I have ever seen.  It was truly frustrating and underwhelming for the simple reason that there was absolutely no story to substantiate it.

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