And the Best Picture goes to....


2004
Clint Eastwood
Albert S. Ruddy
Tom Rosenberg, Producers
2 hours 12 minutes
Estimated Budget $30,000,000
Rated PG-13
The Other Nominated Films
 
The Aviator
Finding Neverland
Ray
Sideways
 
Directed by Clint Eastwood                                            Winner, Best Director
 
CAST
Hilary Swank                                                                  Winner, Best Actress
Clint Eastwood                                                               Nominated, Best Actor
Morgan Freeman                                                           Winner, Best Supporting Actor
 
Also Nominated for
Paul Haggis                                                                   Nominated, Best Adapted Screenplay

Joel Cox                                                                        Nominated, Best Film Editing
 
LOGLINE:
Against his better judgment, an aging coach agrees to train a female boxer, which ultimately leads to tragic consequences.
 
REVIEW:

“Million Dollar Baby” is an engrossing film that embodies the spirit of determination by highlighting the struggles and resilience of its characters in a world full of challenges. As one of two boxing films to win the Best Picture Oscar, alongside “Rocky,” it weaves together themes of friendship, family, and personal growth.

Right from the outset, the film’s dark and gritty cinematography sets a tone that immerses the audience in its emotional landscape. The relationship between Maggie Fitzgerald, played by Hilary Swank, and Frankie Dunn, portrayed by Clint Eastwood, is beautifully developed. Maggie’s perseverance shines through, not just in her boxing aspirations, but also in her quest to earn Frankie’s friendship and respect. Swank delivers a powerhouse performance, capturing the physical and emotional toll of her character’s journey.  (Swank reportedly packed on twenty pounds of muscle for this role.) The evolution of their dynamic into a touching father-daughter bond is particularly touching, especially considering the estrangement between Frankie and his own daughter.

Morgan Freeman received his second Oscar for his portrayal of Eddie, a character who brings a sense of compassion to the story. As the narrator, Eddie ultimately convinces Frankie to mentor Maggie, embodying the spirit of support and guidance that is central to the film.

The film bravely confronts heavy themes, including assisted suicide, handling them with the sensitivity and respect they deserve. However, one inconsistency stood out during a pivotal moment when Maggie’s respirator is disconnected—a lack of alarms felt unrealistic, undermining the emotional grip that the film had so successfully built up to that point.  No alarms and Frank walks out into the night and is never seen again.

Despite this flaw, “Million Dollar Baby” is a compelling and emotional tale of ambition, sacrifice, and complex relationships. Clint Eastwood successfully delivers a character-driven story, earning him the distinction of being the oldest Best Director winner. This film should be considered one of his finest directorial efforts, as it is thought-provoking and leaves a lasting impression on viewers.

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