And the Best Picture goes to....

 
2002
Martin Richards, Producer
1 hour 53 minutes
Estimated Budget $45,000,000
PG-13
The Other Nominated Films

Gangs of New York
The Hours
The Lord of the Rings: The Two Towers
The Pianist

Directed by Rob Marshall                                            Nominated, Best Director
 
CAST
Renee Zellweger                                                           Nominated, Best Actress
Catherine Zeta-Jones                                                   Winner, Best Supporting Actress
Richard Gere
Queen Latifah                                                               Nominated, Best Supporting Actress
John C. Reilly                                                                Nominated, Best Supporting Actor
 
Also Nominated for
Martin Walsh                                                                 Winner, Best Film Editing

Colleen Atwood                                                             Winner, Best Costume Design

Michael Minkler                                                             Winner, Best Sound Mixing
David Lee
Dominick Tavella

John Myhre                                                                    Winner, Best Production Design
Gordon Sim

Dion Beebe                                                                    Nominated, Best Cinematography

Bill Condon                                                                    Nominated, Best Adapted Screenplay
 
LOGLINE:
Two murderesses on death row compete for fame, notoriety, and the attention of their high-priced lawyer.
 
REVIEW:

Set in the Roaring Twenties, “Chicago” bursts onto the screen, capturing the essence of an era defined by jazz, allure, and scandal. Directed by Rob Marshall, this film adaptation of the iconic Broadway musical weaves a story rich in themes of murder, corruption, and the insatiable thirst for fame.

One cannot help but draw comparisons to other theatrical works, particularly “Cabaret.” The electric atmosphere, combined with the stunning choreography and memorable musical numbers, creates a sense of nostalgia while still feeling fresh and engaging. Each musical number, especially standout performances like Catherine Zeta-Jones’ rendition of “All That Jazz,” serves to capture the film’s themes of desire and ambition. Zeta-Jones commands the screen with her exquisite presence, impressive vocal talents, and captivating dance skills, making her a force to be reckoned with as the ambitious Velma Kelly.

In contrast, we have Renée Zellweger’s portrayal of ”that damned tomata” Roxie Hart—a woman who initially appears naïve but quickly reveals a savvy nature as she competes for the spotlight.  It’s the tense rivalry between Velma and Roxie that drives the plot, as both women use their charm and wit to outmaneuver one another in the cutthroat world of showbiz. 

Queen Latifah shines as Matron “Mama” Morton, bringing charisma to her role as the jailhouse matriarch.  Interestingly, the role was initially intended for Kathy Bates, yet it’s Queen Latifah’s performance that proves to be a perfect fit, highlighting her versatility as a performer.     

Richard Gere portrays Billy Flynn, a slick lawyer who manipulates the media for his clients’ benefit. Gere’s performance effectively captures the smooth-talking charm and questionable morals of a man navigating a world of corruption and notoriety. Surprisingly, Gere, known for his roles in “American Gigolo,” “An Officer and a Gentleman,” and “Pretty Woman,” showcases his ability to sing and dance, which is essential for this character.

While the film’s vibrant energy is believable, immersing viewers in a world where rhythm and ambition collide, there are a few moments where it falters—the song “Mr. Cellophane” comes to mind.  The pacing of the film suffers at times, it eventually corrects itself by its conclusion.

Overall, “Chicago” is a wonderful combination of strong performances, a compelling story, and eye-catching visuals. The choreography and set design perfectly reflect the jazzy, high-energy atmosphere of the time, creating an experience that keeps audiences entertained from start to finish.

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