And the Best Picture goes to....

 
1984
Saul Zaentz, Producer
2 hours, 40 minutes
Estimated Budget $18,000,000
Rated PG

The Other Nominated Films

The Killing Fields
A Passage to India
Places in the Heart
A Soldier’s Story

Directed by Milos Forman                                           Winner, Best Director
 
CAST:
F. Murray Abraham                                                      Winner, Best Actor
Tom Hulce                                                                   Nominated, Best Actor
Elizabeth Berridge
Roy Dotrice
 
Also Nominated for
Peter Shaffer                                                               Winner, Best Adapted Screenplay

Patrizia von Brandenstein                                           Winner, Best Art Direction-Set Decoration
Karel Cerny

Theodor Pistek                                                             Winner, Best Costume Design

Mark Berger                                                                 Winner, Best Sound
Thomas Scott
Todd Boekelheide
Christopher Newman

Paul LeBlanc                                                                Winner, Best Makeup
Dick Smith

Miroslav Ondricek                                                        Nominated, Best Cinematography

Nena Danevic                                                              Nominated, Best Film Editing
Michael Chandler
 
LOGLINE:
The story of composer Wolfgang Amadeus Mozart, as told by his jealous adversary, Antonio Salieri.
 
REVIEW:

Based upon the stage play of the same name, “Amadeus” details a fictionalized rivalry between Wolfgang Amadeus Mozart and Italian composer Antonio Salieri.  The film is complemented by a beautiful Mozart soundtrack, opulent costumes, and some fine performances, most notably by F. Murray Abraham, who won a Best Actor Oscar for his portrayal of the embittered Salieri. His transformation through make-up to reflect an older character was impressive and likely contributed to the film also winning for Best Makeup.

Tom Hulce’s portrayal of Mozart earned him a Best Actor nomination, and while he did put in the effort by learning to play the piano and conduct an orchestra, his inane cackle quickly became like nails on a chalkboard, somewhat overshadowing his performance. Elizabeth Berridge’s role as Constanza, Mozart’s devoted wife, felt overlooked and she deserved recognition for her contribution to the film, as her performance added depth to the story.

“Amadeus” won awards for many of the right categories such as costumes, sets, and sound.  However, I found myself struggling to truly connect with the film. Perhaps it’s the length, clocking in at over two and a half hours, that caused me to lose track of the plot. In the end, while it’s clear that the film has merits, I just didn’t feel it lived up to the hype.

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