And the Best Picture goes to....



1959
Sam Zimbalist, Producer
3 hours 32 minutes
Estimated Budget $15,000,000
Rated G
The Other Nominated Films 
Anatomy of a Murder
The Diary of Anne Frank
The Nun’s Story
Room at the Top

Directed by William Wyler                                         Winner, Best Director
 
CAST 
Charlton Heston                                                          Winner, Best Actor
Jack Hawkins
Stephen Boyd
Haya Harareet
Hugh Griffith                                                                Winner, Best Supporting Actor
Martha Scott
 
Also Nominated for 
Robert Surtees                                                         Winner, Best Cinematography-Color

William A. Horning                                                    Winner, Best Art Direction-Set Decoration, Color
Edward C. Carfagno
Hugh Hunt

Elizabeth Haffenden                                                 Winner, Best Costume Design, Color


Franklin Milton                                                          Winner, Best Sound


Ralph E. Winters                                                      Winner, Best Film Editing
John D. Dunning

A. Arnold Gillespie                                                    Winner, Best Effects, Special Effects
R.A. MacDonald
Milo B. Lory

Miklos Rozsa                                                            Winner, Best Music

Karl Tunberg                                                             Nominated, Best Adapted Screenplay

 
LOGLINE: 
After being betrayed by a friend and condemned to a life of slavery, a Jewish Prince regains his freedom and seeks revenge.
 
REVIEW:

Overall, I did enjoy “Ben-Hur”, but at three and a half hours long, I found myself getting bored fairly quickly towards the end.  Directed by William Wyler, this film is an epic journey through themes of revenge, redemption, and the struggle for faith.  Though the pacing drags, I believe this could have been remedied if the story had wrapped up after the thrilling chariot scene and the dramatic fate of Messala.

This remake, notable for being the first to win the Oscar for Best Picture following the original silent film from 1925, truly is a spectacle. The special effects were groundbreaking for its time, with grand sets and a multitude of extras that create a vividly immersive experience. Released during a period when Hollywood was captivated by grand biblical epics, “Ben-Hur” stands alongside films such as “The Ten Commandments,” “Spartacus,” “King of Kings,” and “Cleopatra.”

Charlton Heston delivers a powerful performance in the title role, earning his Best Actor Oscar with a performance that fully embodies the complexity of Judah Ben-Hur. The chemistry between Heston and Stephen Boyd, who plays Messala, is electric and compelling. It was surprising to me that Boyd did not receive a nomination for Best Supporting Actor, as his portrayal adds depth to the conflict at the heart of the story.

While the famed chariot race is rightly celebrated in film history, I also want to highlight the impressive rowing scene. The choreography here is equally mesmerizing, with the rhythm of the hammers and the commands of Quintus Arrius creating a tense and gripping atmosphere.

In conclusion, “Ben-Hur” is a terrific film that starts strong and captivates with its grand storytelling and exceptional performances—just be prepared for the long haul.

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